A conversation between two characters means that we’re placed directly in the point of view of one character, making it feel as if we’re the ones being talked to if the dialogue shifts, the point of view changes accordingly. Furthermore, most of the shots are shot either directly in front or at the side of the characters. There is the tendency, for example, to use classic songs from yesteryears, including those by the Rolling Stones, the Beach Boys, and the Bobby Fuller Four (the original music are also quite bright and chirpy, and fun to listen to). As a result, there is a very unique Wes Anderson-feel to the story. I didn’t read the book, though I did know that the filmmakers changed a fair amount of the storyline. For the most part, the colours are also very warm, mirroring the standard approach used by many movies to denote a period set in the past. It’s not so easy to describe, but you’ll get a decent enough sense of it from the trailer below. Come to think of it, it’s quite British in many ways. Very dry, in fact (“I just want to see a little sunshine.” “But you’re nocturnal, Phil, your eyes barely even open on a good day.”). Judging by the style of the garments worn by the characters and the design of the locations, it certainly seems to be that way. Despite the fact that it is an adaptation of an English book and set in the English countryside, with not that many by way of modern amenities, you could almost mistake this film as being a period one. Kristofferson, however, is not the only ‘cool’ thing about the film. At the same time, his son, Ash (Schwartzman) has to deal with living in his famous father’s shadow, as well as ‘competing’ with his cousin Kristofferson (Eric Chase Anderson), who spend some time living with them but ends up outshining Ash in almost every possible department. Fox has now once again decided to go back to his old profession, and starts to steal the farmers’s products. Even more unfortunate is the fact that Mr. Unfortunately, they happen to be near three farms owned by three human farmers, Walter Boggis (Robin Hurlstone), Nathan Bunce (Hugo Guinness) and Franklin Bean (Michael Gambon). “We’re poor, but we’re happy.” Mr Fox, however, is not satisfied with this, and buys a newer, bigger home at the base of a tree. It’s more than just literal, however, though they do actually live inside a hole. Fast-forward 2 years later (12 fox years to be exact), and they’re in a hole. Fox, a foxy little creature who gives up on a life of thievery after his wife, Felicity (Meryl Streep), told him that she is pregnant with their child. The remake of 'Seven Samurai' never saw the light of day.in the sense that it was shot underground. That, and how similar some actors’s voices can be when you don’t take into account the usual markers we use to identify them. Of course, one can’t escape from that fact, and sooner or later (usually as soon as the credits roll up), I would either smile in some sort of smug satisfaction that I got it right (“I knew that was Jason Schwartzman!”) or lie deep in the seat, wondering whether I had lost my film bearings (“Dammit, that was George Clooney? I could’ve sworn it was Mel Gibson.”) It was at such moments that I think that maybe I shouldn’t be so arrogant or so anal about these things. For my part, I tend to try and not pay so much attention to the people who are involved behind the scenes in animations precisely because of these reasons. The fun thing about watching animations is trying to guess which actors and actresses voiced which characters.
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